In a recent essay in the New York Times, Megan Craig, a professor of philosophy at an East Coast
university, laments the fact that her profession doesn't entail "more calisthenics, rugged walking,
running outdoors." Perhaps for a professor
of philosophy such activities are not required, and might be difficult to
squeeze into the daily campus grind, but an academic in her field ought to be
aware that genuine philosophers since the time of Aristotle, widely known in
his time and for a millennia afterward as the Peripatetic, have associated thinking
with walking, and more generally with being outdoors.
Though I'm not much
of a philosopher myself, when Hilary and I head north, as we did a few weeks
ago, I load my bookbag with the kind of esoteric reading matter that can only
be absorbed bit by bit in an environment free of distractions. On our recent
five-day "retreat" on Lake Superior, I brought along The Mirror of Ideas, by Michel Tournier;
The English Mind: studies in the English
Moralists; Philosophy, Writing and the Character of Thought by John T. Lysaker; Connections to the World by Arthur Danto; Heidegger's Hidden Asian Sources by Reinhard May; Nietzsche, Life as Literature, by
Alexander Nehamas, and four or five other books of a similar ilk.
I didn't look at
any of them. The weather was too fine. But it was nice to have them near at
hand, in case I felt the urge to develop a clearer understanding of why joy
tends to leap from my heart when the gulls are keening, the sun is bright but
softened by a slight morning haze, there's dew on the grass, and the
temperature hovers near 60 degrees.
It was a cold wet
spring on the North Shore. Ask anyone. By the time w arrived, the sun had
reappeared and the hiking trails were lined with lush plant life. I haven't
seen so many bunchberries and bluebells in bloom for decades. Then again, we
haven't come to the North Shore at this time of year for quite a while. Pale
yellow clintonia were blooming in profusion, and also the delicate white flowers
of the serviceberry trees.
The non-flowering vegetation was hardly less
appealing: native honeysuckle, sarsaparilla, nameless ferns, little
strawberries two inches high and alder shrubs twenty feet high. Hiking around
Larsen Lake at Crosby-Manitou State Park we came upon quite a few infant
mountain ash, may six or eight feet high, and also some rich carpets of club
moss.
* *
* *
Intoxicated by the
plant life, yet I did turn my attention occasionally to one of the books I'd
brought: The Land of Ulro by Czeslaw
Milosz. I was under the impression that Ulro was somewhere in Lithuania. Turns
out it's an invention of Wiliam Blake. Looking it up just now on line, I read:
Ulro is the land of the living dead, the realm of the ghostly and the spectral. It is the land of idols, delusions, and abstractions mistaken as primary realities.
In the course of
this longish book, Milosz spends an inordinate amount of time analyzing the
imaginary worlds created by three writers who don't interest me much: Witold
Gombrowitz, Adam Mickiewicz, and Theodore Swedenborg. Yet I kept reading, and
was actually enjoying the journey. Here's a typical passage:
How to explain an extreme pessimism coupled with ecstatic praise, with hymns of ecstasy. Who knows whether this contradiction, so full of import, does not constitute the proper theme of this book. At any rate, I have always been hostile to the "dark" tradition of 20th century literature; its mockery, sarcasms, and profanations have seemed cheap to me when compared to the power of Evil that is within every man's grasp. (p. 38)
If that seems
pretty grim, how about this:
For some, reading and writing are a passion. The Way, in the sense in which the word is used by the Taoists ... There is a species of people who feel the compulsion more than others, people for whom reality is too painful as long as it remains anarchic, untrappable, and who feel continually obliged to give it order, a language. (p. 46)
And how about those
people who feel the urge to write because they consider reality not painful but
mesmerizing, staggering—at least some of the time; who find in it an order that
has nothing to do with words, or with them, but arises from the earth unbidden
and pursues a harmless and attractive agenda?
Wasn't it
Gombrowitz himself, Milosz's alter ego, almost, who wrote: "If literature
generally dares to speak, it is not at all because it is certain of its truth,
but only because it is certain of its delight"?
Such experiences
are difficult to capture in words. They tend to sound fatuous, Pollyannaish, or
commonplace. Example. For two days we watched a red-breasted merganser
zigzagging back and forth across the bay, head under the water, looking for
fish. On the third morning, in the sharp clear light, a merganser paddled by—it
might have been the same one—with
eight chicks trailing close behind, each of them about the size of a lemon. Half
of them looked to be actually sitting on mama's back.
A few minutes
later, a gull started keening, and a second one replied from a hundred yards up
the shore. Not so haunting as a chorus of loons, but still redolent of
shipwrecks, bad weather, and lonely walks on the beach.
The water here is
utterly clear to a depth of thirty feet at last. A blanket of stones covers the
bottom; a few feet from shore, most of them are the size of a golf ball or a
small, misshapen potato. Invariably fine-grained and smooth, they're a
hodge-podge of pale blues, reds, and tans, and the honeyed glow and slight
distortions created by the water above them adds to the charm.
But charm isn't
the right word. We're talking about something elemental here.
Nothing beyond it.
No meaning in it.
At one point Milosz
writes:
There is in Pascal a kind of Manichean distrust of nature and the things of "this world" which has made him a hero in the eyes of the pessimists, of those who later, in an era proclaiming the intrinsic good of the "nobler savage," responded with a mordant irony. Pascal's defense of Christianity is thus waged in anthropocentric terms, asserting the "anti-naturalness of that unique phenomenon call consciousness.
Milosz makes it
clear that he shares that distrust. Not me.
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