For many urban Minnesotans, to vacation amid the pines and
lakes of the north country is a frequent delight, but also a recreational commonplace.
The thought of heading west out onto the prairie tends to hold less allure.
When, at a recent family gathering, I
mentioned to Hilary's cousin's wife, who was visiting from Boston, that we were
planning a trip to Thief River Falls, and added that "nobody goes
there," she replied drolly, "Well, the name doesn't have much appeal."
In fact, we had plotted out an interesting route across the countryside
and had researched a few cultural stops along the way to add variety to the
hiking, birding, and camping that would occupy most of our time and attention.
Most of western Minnesota has long since been converted to farmland, but even
that can provide amusement and enlightenment. Is that wheat or flax? Are those sweet
peas or soy beans? Is that an ethanol plant or a sugar beet factory?
And then you have that big, big sky and those enormous concrete-and-steel
grain elevators for storing all the crops.
Every town you drive through offers food for thought. Is the
architecture good? Probably not. Is the town "healthy?" Probably not.
Does it have plenty of Lutheran churches? Very likely. But the Catholic one is probably more imposing.
The astronomical mural on the water tower in Cosmos is a hit,
but the town itself has seen better days. Hutchinson has a fine town square,
but it also has a 3M plant and a major medical center to feed the local economy;
it's practically a suburb of the Twin Cities. Montevideo has a statue on Main
Street of José Artigas, the national hero of Uruguay, where a much larger
Montevideo is located. (The two are
sister cities, and the statue came from Uruguay in 1949.)
We want these
communities to thrive, because they sustain our atavistic dreams of
good-natured small-town life exemplified by Thornton Wilder's classic Our Town, The Andy Griffith Show, seven seasons of Northern Exposure, and even, in a strange way, Schitt's Creek. But arriving on the outskirts of Montevideo, for
example, the first thing we come upon is the Walmart, its parking lot packed.
And who are we to begrudge the locals a few dollars off on their potato chips and Kleenex?
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Madison, MN |
Madison may have a leg up on other towns nearby, not only
because it's Lac Qui Parle's county seat, but also due to the fact that eminent
poet Robert Bly grew up there and maintained a farm nearby for quite a few
years. Most local farmers probably care little for his "leaping poetry,"
his anti-war protests, or his contributions to the Men's Movement, but at some
time in the 1990s an abandoned schoolhouse on Bly's farm that he had converted
to a study was moved into town and relocated within the confines of the county
historical society's pioneer village.
We were lucky to get in. With July 4 landing on a Sunday,
there was no way to tell whether a given business would open the next day, or
would take that Monday as a holiday. We walked inside the main building—a huge
pole barn full of bric-a-brac—and a voice from the next room said, "Can I
help you?"
"We're here to see the museum," I said, stating
the obvious, as we came around the corner into her office, "especially the Bly study."
"I haven't opened those buildings yet," she said,
a little wearily. "I just got here."
"Well, we're glad you're open," I said.
"Yes, well, the boss called me last night and said,
'Are you opening tomorrow?' And I said, 'I don't know. Am I?'" By this
time she was fumbling with her keys. Elderly, short, and stout, it seemed the afternoon heat was getting to her a little.
"Do you want to see just the Bly schoolhouse or all the
buildings?"
"Might as well open them all, if it isn't too much trouble."
"Just give me a few minutes."
"Sure. There's plenty to look at in here."
We wandered down one of the aisles, stopping here and there
at a display of fifty-odd salt shakers; a room full of stuffed pheasants, mounted
moose heads, and other hunting trophies; and (briefly) a local aficionado's
personal collection of hand guns that had been fastened one after another in an
orderly array to a yellow wall. One
section was devoted to musical instruments including several accordions, a
hardanger fiddle, and a mold that a fiddle-maker evidently used to bend the delicate
wood. A separate cubicle was devoted to each of the county's townships, and a
sophisticated three-part banner offered a timeline of the county's history, running
from the founding of the Lac Qui Parle mission in 1830—the first in the state—up
to and including the first registered Covid infection and the first Covid death
in the county.
We had passed the township of Cerro Gordo on our way into
town, and I was curious to learn where it had gotten its name. Most of the
families swimming and fishing at the dam were Latino, but 150 years ago that
wouldn't have been the case. Turns out the man who platted the town had fought
in the battle of that name during the Mexican-American War.
Twenty minutes might have passed before we left the building
at the opposite end of the hall and walked out past the log cabin to the
schoolhouse. It was blue, with white trim, and it was much larger than I
expected. The main room could easily have housed eight or ten office workers
comfortably. Some snapshots had been taped to one of the desks; broadsides of
Robert's poems had been placed on other tables and desks. Visitors were invited
to don the headphones hanging from the side of the desk, push the red plastic
button, and listen to one of Bly's friends read the poem. But Bly himself is
such a great reader that to anyone who has heard the man himself, these
recitations would tend to deflate a given poem's effect, and I guess it was
just as well that many of the headphones didn't work.
Most of the wall-space was lined with books, and I spent a
few minutes looking them over. Some had been heavily used, others were
pristine, as is typical in a personal library. Marx and Jung, Hamsun and the
Kalavala, Arthur Waley and Octavio Paz. The range of subjects and the vintage
of the editions reminded me of a well-stocked used bookstore of thirty years
ago.
Hilary reminded me that Robert wasn't the only person to use
the space. In the text of one small display we are informed that he and his
wife, Carol, raised four children on the premises, and Bly hung a curtain
across the room, dividing it in half, so he could have some privacy to think.
It's likely that Carol also spent a good deal of time in the
building, though I don't know that for a fact. I had brought an old paperback
edition of Bly's selected poems (ca 1986) along on the trip, but it occurred to
me suddenly that Carol's book, Letters
from the Country (1981), might have been a better pick.
In the end, the schoolhouse, well-lit by sash windows all
the way around, had the feel less of a hermetic retreat or private study than a
comfortable literary parlor—well worth a visit, though It would also be
interesting, I think, to see Bly's farm itself, and the little chicken coop
that served as his first makeshift rural study. (You can read more about the schoolhouse here.)
When we got back to the museum office, I asked the woman
where the Bly farm was located. "Somewhere southwest of here, near Marietta.
I don't know exactly," she said.
"Oh, out by Salt Lake," I said. "That's our
next stop."
She became more animated when we started lavishing praise on
the salt shakers, the doll collection, and the well-preserved antique carriages
we'd come upon in another pole barn out back. "It's only a small part of
the collection.," she said proudly.
In the end, we didn't
drive the fifteen extra miles out to Salt Lake, though in recent days birders
had been reporting eared grebes out there. We'd been on the road for four
hours, the temperature had risen to 92 degrees, and it was time to "check
in" at the park.
I was also somewhat anxious because I'd neglected to get the
entry code to our camper cabin before we left home. When we pulled into our
slot at the park a half-hour later, a vehicle with Texas plates was already
parked there. We heard animated conversation as we approached the little cabin.
It was the cleaners!
"We're just finishing up," the woman said,
half-apologetically. "I'll leave the key here on the table." Crisis
averted. (In fact, there never would have been a crisis: camper cabins don't
use codes or key boxes.)
"I see you're from Texas," I said. "Come north
to escape the heat?"
I was joking, but she replied, "That's right.
"It's 115 degrees in San Antonio today."
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If you're planning to
rent a cabin at Lac Qui Parle, number two is far and away the best of the three.
Number one is right next to the entry road to the campground, and number three,
though somewhat better, is tucked back into the woods. Number two sits out on
the top of the hill with an unobstructed view of the surrounding countryside with
Lac Qui Parle itself glistening in the distance.
Once we'd hauled all of our stuff into the little cabin, set
up our camp chairs, and enjoyed the view for a while from the shade of the only
large tree in the vicinity, I took a little stroll down the hill to the
unoccupied walk-in campsite in the field just below. We've camped here more
than once over the years, and on our most recent visit we saw several orchard
orioles out in the field. I went down on what many would call a fool's errand
to see if I could see another one.
The orchard oriole is considered an uncommon bird, by which
ornithologists mean to suggest that it has a healthy but small population, and
you don't see it often. The Baltimore oriole, on the other hand, is a common
bird, and you're likely to see quite a few of them if you spend any time in city
parks or out in the field. The Baltimore oriole is easier to see, not only
because it's more common, but also because
it sings beautifully and it's lower body is a spectacular bright orange. The
orchard oriole is somewhat smaller, and its lower body in a rich but dark rufus
color—much darker than, say, a robin's breast.
In my book, to see an orchard oriole once a year is a thrill, and also a triumph.
Well. As I was looking around across the fields I spotted a
strange bird in the middle distance. It was a smallish, silvery-yellow bird
with a lark black bib under its beak. I'd never seen anything like it, but it
occurred to me immediately that it might be a female orchard oriole. I took a
few photos with the mediocre zoom on my Canon Powershot extended, and hurried
back up the hill to get the bird book, and Hilary.
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Adult male orchard oriole |
A glance at the book confirmed that the bird was an orchard
oriole—but a juvenile male rather than an adult female. Would it still be there
when we got back? No. But then Hilary spotted a male orchard oriole on a branch
nearby. A female adult showed up not long afterward, and so did the juvenile
male.
And then a Baltimore
oriole flew out of the woods in the distance, as if he wanted a little
attention, too.
Our dinner that night consisted of leftovers from two celebratory
gatherings we'd hosted recently. The air conditioner was a welcome addition to
the cabin amenities, though the only two fan setting were "off" and
"automatic" and I felt I was sleeping next to an airport runway. At
the sound of distant thunder we stepped out onto the wooden porch in the dark and were half-dazzled
by a field of fireflies. A twisty wind came up around two in the morning, with
rain soon after. The morning arrived
with gray skies, cool air, and drizzle, all of them welcome.